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Character length : 27

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• <H4> by title
• <H2> 18 (1992) by Todd Walker
• <H2> A.A.A.R.P. (1994) by Clifton Meador
• <H2> Abecé: (Mexico City Book 2) (2004) by Joan Lyons
• <H2> Action is Addiction (1992) by Critical Art Ensemble
• <H2> Adaminaby (1998) by Douglas Holleley
• <H2> Against Fiction: Organized Affinities (1983) by Johanna Drucker
• <H2> ailleurs 8 (unknown) by Carmelo Arden Quin
• <H2> All My Bands (2003) by Fred Rinne
• <H2> Alternets (2005) by Beverly Nelson
• <H2> The Anatomy of Proteus (1982) by Bonnie Gordon
• <H2> The Anatomy of the Image Maps (1982) by Bonnie Gordon
• <H2> arachne/amaranth (1983) by Joan Wolbier
• <H2> As No Storm or the Any Port Party (1975) by Johanna Drucker
• <H2> At the Beach (1988) by Babette Katz
• <H2> Bad Printing (2006) by Clifton Meador
• <H2> Beside Me (2005) by Louise Levergneux
• <H2> Black Dog White Bark (1987)by Erica Van Horn
• <H2> A Book of Closings (2005) by Kyle Schlesinger
• <H2> Bookscape (1988) by Johanna Drucker
• <H2> Bride Book Red to Green (1975) by Joan Lyons
• <H2> Cafe Charivari Charlatan Chrom (1975) by Alastair Johnston
• <H2> Carbon Copy (1973) by A.D. Coleman
• <H2> City Shields (2006) by Louise Levergneux
• <H2> Commodity Character (1982) by Paul Rutkovsky
• <H2> The Consistency of Shadows: Exhibition Catalogs as Autonomous Works of Art (2004) by AnneDorothee Böhme and Kevin Henry
• <H2> Contemplation (2008) by Elisabeth Tonnard
• <H2> Cuba (2005) by Brad Freeman and Johanna Drucker
• <H2> Current Events (1984) by M.M. Lum
• <H2> The Current Line (1996) by Johanna Drucker
• <H2> Damaged Nature / Salvage Culture (2005) by Johanna Drucker
• <H2> Damaged Spring: Pink Noire (2003) by Johanna Drucker
• <H2> Dark Decade (1995) by Johanna Drucker
• <H2> Dark, The Bat Elf Banquets the Pupae (1972) by Johanna Drucker
• <H2> Dead Man's Trail (2002) by Gary Meres
• <H2> Deterring Discourse (1993) by Johanna Drucker
• <H2> Dolls of the Spirit (1980) by Johanna Drucker
• <H2> Dust and Light (1987) by George Gessert
• <H2> Emerging Sentience (2001) by Johanna Drucker and Brad Freeman
• <H2> Events: Particle Zoo (2005) by Johanna Drucker
• <H2> The Exorcism of Page Thirteen (1993) by Caryl Burtner
• <H2> Experience of the Medium (1978) by Johanna Drucker
• <H2> Florida Family Portrait (2002) by Judy Gelles
• <H2> For Fans and Scholars Alike (1987) by Ulises Carrión
• <H2> Forever Yours (1980) by Gail Rubini
• <H2> Four Corners (2007) by Leroy Stevens
• <H2> Foxtrot Oscar Lima Lima Yankee (1991) by Clifton Kirkpatrick Meador
• <H2> Fragile (1977) by Johanna Drucker
• <H2> French Fries (1984) by Warren Lehrer
• <H2> From A to Z (1977) by Johanna Drucker
• <H2> From Now (2005) by Johanna Drucker
• <H2> Garbaj (1982) by Chris Enos
• <H2> Gdansk: Talk Back (2003) by Dahlia Elsayed
• <H2> Get More (1986) by Paul Rutkovsky
• <H2> Getting There (1992) by Babette Katz
• <H2> A Girl's Life (2002) by Johanna Drucker and Susan Bee
• <H2> Graphical Investigations (2005) by Johanna Drucker
• <H2> The Grass is Greener (2001) by Brad Freeman
• <H2> Great Men of the Modern Age (1982) by Clifton Kirkpatrick Meador
• <H2> Greenness (1988) by Clifton Kirkpatrick Meador
• <H2> The Gynecologist (1989) by Joan Lyons
• <H2> High Tension (1993) by Philip Zimmerman
• <H2> History of the/my Wor(l)d (1990) by Johanna Drucker
• <H2> [Ho+Go]2=It (1987) by Ruth Laxson
• <H2> Home (1986) by Eric Drooker
• <H2> How to Humiliate your Peeping Tom (1989) by Susan Baker
• <H2> How to Make Your Own Cheap Inexpensive Artists' Book (1990) by Michael Goodman
• <H2> A Hundred Years of: LEX FLEX (2003) by Ruth Laxson
• <H2> I am Siam (1984) by Paul Rutkovsky
• <H2> I Mean You Know (1983) by Warren Lehrer
• <H2> Index of the Alphabetic Rebus (1984) by Gary Richman
• <H2> Isometric Systems in Isotropic Space: Map Projections (1979) by Agnes Denes
• <H2> It Happens Pretty Fast (1982) by Johanna Drucker
• <H2> It Wasn't Little Rock (2006) by Clarissa Sligh
• <H2> Italy (1980) by Johanna Drucker
• <H2> JAB1: The Journal of Artists' Books (1994) by JAB (Brad Freeman, editor)
• <H2> JAB2: The Journal of Artists' Books (1994) by JAB (Brad Freeman, editor)
• <H2> JAB3: The Journal of Artists' Books (1995) by JAB (Brad Freeman, editor)
• <H2> JAB4: The Journal of Artists' Books (1995) by JAB (Brad Freeman, editor)
• <H2> JAB5: The Journal of Artists' Books (1996) by JAB (Brad Freeman, editor)
• <H2> JAB6: The Journal of Artists' Books (1996) by JAB (Brad Freeman, editor)
• <H2> JAB7: The Journal of Artists' Books (1997) by JAB (Brad Freeman, editor)
• <H2> JAB8: The Journal of Artists' Books (1997) by JAB (Brad Freeman, editor)
• <H2> JAB9: The Journal of Artists' Books (1998) by JAB (Brad Freeman, editor)
• <H2> JAB10: The Journal of Artists' Books (1998) by JAB (Brad Freeman, editor)
• <H2> JAB11: The Journal of Artists' Books (1999) by JAB (Brad Freeman, editor)
• <H2> JAB12: The Journal of Artists' Books (1999) by JAB (Brad Freeman, editor)
• <H2> JAB13: The Journal of Artists' Books (2000) by JAB (Brad Freeman, editor)
• <H2> JAB14: The Journal of Artists' Books (2000) by JAB (Brad Freeman, editor)
• <H2> JAB15: The Journal of Artists' Books (2001) by JAB (Brad Freeman, editor)
• <H2> JAB16: The Journal of Artists' Books (2001) by JAB (Brad Freeman, editor)
• <H2> JAB17: The Journal of Artists' Books (2002) by JAB (Brad Freeman, editor)
• <H2> JAB18: The Journal of Artists' Books (2002) by JAB (Brad Freeman, editor)
• <H2> JAB19: The Journal of Artists' Books (2003) by JAB (Brad Freeman, editor)
• <H2> JAB20: The Journal of Artists' Books (2003) by JAB (Brad Freeman, editor)
• <H2> Jane Goes Out w' the Scouts (1980) by Johanna Drucker
• <H2> Joni Mabe's Museum Book (1988) by Joni Mabe
• <H2> Journal of the Identical Lunch (1971) by Alison Knowles
• <H2> Journey Without Title (1995) by Balázs Czeizel
• <H2> Just As (1983) by Johanna Drucker
• <H2> Just Wait and See (2002) by Dianna Frid
• <H2> Kaddish (1995) by Jenni Lukac
• <H2> Kidz (1979) by Johanna Drucker
• <H2> Life in a Book (1986) by François Deschamps
• <H2> Little Orphan Anagram (1997) by Susan Bee and Charles Bernstein
• <H2> Long, Slow March (1996) by Clifton Kirkpatrick Meador
• <H2> A Long Walk (1993) by Clifton Kirkpatrick Meador
• <H2> Manhattan Street Romance (1982) by Douglas Beube
• <H2> The Marsh Test (2002) by Sarah Bodman
• <H2> Mémoire D'un Voyage en Océanie (1995) by François Deschamps
• <H2> Mill River - River Mill (1997) by Bob Chaplin
• <H2> Minsky in Bed (1988) by Richard Minsky
• <H2> Monuments to the Industrial Revolution (1989) by Charles Agel
• <H2> Moving Platforms (1991) by Emily McVarish
• <H2> My Flag (1995) by Babette Katz
• <H2> My Mother's Book (1993) by Joan Lyons
• <H2> The Nameless Dead (2004) by Clifton Kirkpatrick Meador
• <H2> Narratology (1994) by Johanna Drucker
• <H2> Nature Abhors (2003) by Philip Zimmermann
• <H2> Netherland: [How] So Far (1978) by Johanna Drucker
• <H2> Nightcrawlers on the Web (2000) by Johanna Drucker
• <H2> 'No Problem, Brother!' (1997) by Roy Villevoye
• <H2> Non-Identifying Social, Genetic Report (1999) by David Schulz
• <H2> Nova Reperta (2000) by Johanna Drucker and Brad Freeman
• <H2> NovaText (1990) by Critical Art Ensemble
• <H2> Nurse Duck Enters and Approaches and Leaves the Garden of Eden (1982) by Willyum Rowe
• <H2> Nutritional Disease Throw Rugs (1995) by Clifon Kirkpatrick Meador
• <H2> Occult Psychogenic Misfeasance (1980) by Frances Butler
• <H2> opuntia is just another name for prickly pear (1983) by Todd Walker
• <H2> OTHERSPACE: Martian Ty(o)pography (1992) by Johanna Drucker and Brad Freeman
• <H2> Palimpsest (1990) by Ann Lovett
• <H2> Panique Generale (1993) by Francine Zubeil
• <H2> The Paros Dream Book (1972) by Laurence Bach
• <H2> Peel (1999) by Susannah Strang
• <H2> Photo Love (1995) by Suky Best
• <H2> Pilgrimage (2004) by Ann Lovett
• <H2> Poética (Poetics) (1995) by Eduardo and Ana Cortils
• <H2> Positive Produce & Negative Books (1995) by Clifton Kirkpatrick Meador
• <H2> Prove Before Laying (1997) by Johanna Drucker
• <H2> Quantum (2001) by Johanna Drucker
• <H2> The Return of the Liposuctioned Corpse: Love Letters to Madmen (1993) by Elissa Joy
• <H2> raising a family (1976) by Conrad Gleber
• <H2> Ransacked (1980) by Nancy Holt
• <H2> R.B. Schueller (1992) by Irene Ledwith
• <H2> Remains (2003) by Ann Lovett
• <H2> Reading Keats to Sleep (2003) by Gregg Biglieri
• <H2> The Return of the Slapstick Papyrus (1988) by François Deschamps
• <H2> Rising, Converging (1988) by Clifton Meador
• <H2> Sample Dialog (1989) by Johanna Drucker and Emily McVarish
• <H2> 'S crap 'S ample (1980) by Johanna Drucker
• <H2> The Scarlet Genotype (2004) by Pattie Belle Hastings
• <H2> Scraps of an Aborted Collaboration (1994) by Erica Van Horn
• <H2> Sea Change (1990) by Clifton Kirkpatrick Meador
• <H2> Seattle Subtext (1984) by Paul Berger
• <H2> Secret Wing (1991) by Nancy Chalker-Tennant
• <H2> See (1978) by Todd Walker
• <H2> Seeing Egypt (1980) by Jim Snitzer
• <H2> Selma to Montgomery (1995) by Clifton Kirkpatrick Meador
• <H2> Several Split Fountains and a Jack (2007) by Daniel Mellis
• <H2> The Shadow Architecture at the Crossroads (1988) by Paul Zelevansky
• <H2> Simulant Portrait (1990) by Johanna Drucker
• <H2> Sombras Rojas (1999) by François Deschamps
• <H2> Some (M)other Stories: a Parent(hetic)al Tale (1995) by Carol Flax
• <H2> Spectacle (1984) by Johanna Drucker
• <H2> Stampland (1988) by Clifton Kirkpatrick Meador
• <H2> Still Life with Fruit, Wine, Audiotape and Projections (1982) by Jeff Strayer
• <H2> String Lessons (2002) by Tate Shaw
• <H2> Subjective Meteorology (2005) by Johanna Drucker
• <H2> Sunnydell Farm (2004) by Karen Bucher
• <H2> Surviving Weimar Look Book (2007) by Frau Fiber (Carole Frances Lung)
• <H2> Swell (2005) by Lilli Carré
• <H2> Tales of Woodsman Pete (2004) by Lilli Carré
• <H2> Television (1985) by Miles DeCoster
• <H2> Testament of Women (2006) by Johanna Drucker
• <H2> The Translated Latrine Inscriptions of the Palazzo Davanzati (1993) by Simon Cutts
• <H2> The Surprise Party Or (1977) by Johanna Drucker
• <H2> Sweet Junk (1977) by Gail Rubini
• <H2> This is Not America Either (1993) by Balázs Czeizel
• <H2> Three Early Fictions (1994) by Johanna Drucker
• <H2> Three Soliloquies, --- (1977) by Todd Walker
• <H2> Through Light and the Alphabet (1986) by Johanna Drucker
• <H2> To Quiet a Foreign Pain (Jimmy a Real American) (1990) by Susan Schwartzenberg and William Cody Maher
• <H2> Tongues: a parent language (1982) by Johanna Drucker
• <H2> Tremors from the Faultline (1989) by Tamarra Kaida
• <H2> Twenty-Five Years Ago (1998) by Joan Lyons
• <H2> Twenty-six '76 (1976) by Johanna Drucker
• <H2> Variations of a Fall (2002) by David Schulz
• <H2> Verbal Landscape/Dinosaur Sat Down (1987) by Nathan Lyons
• <H2> Victorian Album (1980) by Joe Ruther
• <H2> Wartelist (1984) by Jan Voss
• <H2> Was Here (2001) by Emily McVarish
• <H2> Water Safety (1982) by Ann Fessler
• <H2> Wheeling (1992) by Ruth Laxson
• <H2> When We Were Ten (1997) by Judy Gelles
• <H2> Wild Wood (1999) by Helen Douglas
• <H2> Windows (1982) by Terry Braunstein
• <H2> Windows of the Soul (2003) by Louise Levergneux
• <H2> Wonder Woman (1974) by Juliet McGrath and Joan Lyons
• <H2> The Word Made Flesh (1989) by Johanna Drucker
• <H2> Yarn (1992) by Babette Katz
• <H4> by artist
• <H1> Charles Agel
• <H2> Monuments to the Industrial Revolution (1989)
• <H1> Laurence Bach
• <H2> The Paros Dream Book (1972)
• <H1> Susan Baker
• <H2> How to Humiliate your Peeping Tom (1989)
• <H1> Susan Bee
• <H2> A Girl's Life (2002)
• <H2> Little Orphan Anagram (1997) (with Charles Bernstein)
• <H1> Paul Berger
• <H2> Seattle Subtext (1984)
• <H1> Charles Bernstein
• <H2> Little Orphan Anagram (1997) (with Susan Bee)
• <H1> Suky Best
• <H2> Photo Love (1995)
• <H1> Douglas Beube
• <H2> Manhattan Street Romance (1982)
• <H1> Gregg Biglieri
• <H2> Reading Keats to Sleep (2003)
• <H1> Sarah Bodman
• <H2> The Marsh Test (2002) by Sarah Bodman
• <H1> AnneDorothee Böhme
• <H2> The Consistency of Shadows: Exhibition Catalogs as Autonomous Works of Art (with Kevin Henry) (2004)
• <H1> Terry Braunstein
• <H2> Windows (1982)
• <H1> Karen Bucher
• <H2> Sunnydell Farm (2004)
• <H1> Caryl Burtner
• <H2> The Exorcism of Page Thirteen (1993)
• <H1> Frances Butler
• <H2> Occult Psychogenic Misfeasance (1980)
• <H1> Lilli Carré
• <H2> Swell (2005)
• <H2> Tales of Woodsman Pete (2004)
• <H1> Ulises Carrión
• <H2> For Fans and Scholars Alike (1987)
• <H1> Critical Art Ensemble
• <H2> Action is Addiction (1992)
• <H2> NovaText (1990)
• <H1> Nancy Chalker-Tennant
• <H2> Secret Wing (1991)
• <H1> Bob Chaplin
• <H2> Mill River - River Mill (1997)
• <H1> A.D. Coleman
• <H2> Carbon Copy (1973)
• <H1> Ana Cortils
• <H2> Poética (Poetics) (1995) (with Eduardo Cortils)
• <H1> Eduardo Cortils
• <H2> Poética (Poetics) (1995) (with Ana Cortils)
• <H1> Simon Cutts
• <H2> The Translated Latrine Inscriptions of the Palazzo Davanzati (1993)
• <H1> Balázs Czeizel
• <H2> Journey Without Title (1995)
• <H2> This is Not America Either (1993)
• <H1> Miles DeCoster
• <H2> Television (1985)
• <H1> Agnes Denes
• <H2> Isometric Systems in Isotropic Space: Map Projections (1979)
• <H1> François Deschamps
• <H2> Life in a Book (1986)
• <H2> Mémoire D'un Voyage en Océanie (1995)
• <H2> The Return of the Slapstick Papyrus (1988)
• <H2> Sombras Rojas (1999)
• <H1> Helen Douglas
• <H2> Wild Wood (1999)
• <H1> Eric Drooker
• <H2> Home (1986)
• <H1> Johanna Drucker
• <H2> Against Fiction: Organized Affinities (1983)
• <H2> As No Storm or the Any Port Party (1975)
• <H2> Bookscape (1988)
• <H2> Cuba (2005) (with Brad Freeman)
• <H2> The Current Line (1996)
• <H2> Damaged Nature / Salvage Culture (2005)
• <H2> Damaged Spring: Pink Noire (2003)
• <H2> Dark Decade (1995)
• <H2> Dark, The Bat Elf Banquets the Pupae (1972)
• <H2> Deterring Discourse (1993)
• <H2> Dolls of the Spirit (1980)
• <H2> Emerging Sentience (2001)
• <H2> Events: Particle Zoo (2005)
• <H2> Experience of the Medium (1978)
• <H2> Fragile (1977)
• <H2> From A to Z (1977)
• <H2> From Now (2005)
• <H2> A Girl's Life (2002)
• <H2> Graphical Investigations (2005)
• <H2> History of the/my Wor(l)d (1990)
• <H2> It Happens Pretty Fast (1982)
• <H2> Italy (1980)
• <H2> Jane Goes Out w' the Scouts (1980)
• <H2> Just As (1983)
• <H2> Kidz (1979)
• <H2> Narratology (1994)
• <H2> Netherland: [How] So Far (1978)
• <H2> Nightcrawlers on the Web (2000)
• <H2> Nova Reperta (2000)
• <H2> OTHERSPACE: Martian Ty(o)pography (1992)
• <H2> Prove Before Laying (1997)
• <H2> Quantum (2001)
• <H2> 'S crap 'S ample (1980)
• <H2> Sample Dialog (1989)
• <H2> Simulant Portrait (1990)
• <H2> Spectacle (1984)
• <H2> Subjective Meteorology (2005)
• <H2> Testament of Women (2006)
• <H2> The Surprise Party Or (1977)
• <H2> Three Early Fictions (1994)
• <H2> Through Light and the Alphabet (1986)
• <H2> Tongues: a parent language (1982)
• <H2> Twenty-six '76 (1976)
• <H2> The Word Made Flesh (1989)
• <H1> Dahlia Elsayed
• <H2> Gdansk: Talk Back (2003)
• <H1> Chris Enos
• <H2> Garbaj (1982)
• <H1> Ann Fessler
• <H2> Water Safety (1982)
• <H1> Frau Fiber (Carole Frances Lung)
• <H2> Surviving Weimar Look Book (2007)
• <H1> Carol Flax
• <H2> Some (M)other Stories: a Parent(hetic)al Tale (1995)
• <H1> Brad Freeman
• <H2> Cuba (2005) (with Johanna Drucker)
• <H2> Emerging Sentience (2001)
• <H2> The Grass is Greener (2001)
• <H2> JAB1: The Journal of Artists' Books (1994) (editor)
• <H2> JAB2: The Journal of Artists' Books (1994) (editor)
• <H2> JAB3: The Journal of Artists' Books (1995) (editor)
• <H2> JAB4: The Journal of Artists' Books (1995) (editor)
• <H2> JAB5: The Journal of Artists' Books (1996) (editor)
• <H2> JAB6: The Journal of Artists' Books (1996) (editor)
• <H2> JAB7: The Journal of Artists' Books (1997) (editor)
• <H2> JAB8: The Journal of Artists' Books (1997) (editor)
• <H2> JAB9: The Journal of Artists' Books (1998) (editor)
• <H2> JAB10: The Journal of Artists' Books (1998) (editor)
• <H2> JAB11: The Journal of Artists' Books (1999) (editor)
• <H2> JAB12: The Journal of Artists' Books (1999) (editor)
• <H2> JAB13: The Journal of Artists' Books (2000) (editor)
• <H2> JAB14: The Journal of Artists' Books (2000) (editor)
• <H2> JAB15: The Journal of Artists' Books (2001) (editor)
• <H2> JAB16: The Journal of Artists' Books (2001) (editor)
• <H2> JAB17: The Journal of Artists' Books (2002) (editor)
• <H2> JAB18: The Journal of Artists' Books (2002) (editor)
• <H2> JAB19: The Journal of Artists' Books (2003) (editor)
• <H2> JAB20: The Journal of Artists' Books (2003) (editor)
• <H2> Nova Reperta (2000)
• <H2> OTHERSPACE: Martian Ty(o)pography (1992)
• <H1> Dianna Frid
• <H2> Just Wait and See (2002)
• <H1> Judy Gelles
• <H2> Florida Family Portrait (2002)
• <H2> When We Were Ten (1997)
• <H1> George Gessert
• <H2> Dust and Light (1987)
• <H1> Conrad Gleber
• <H2> raising a family (1976)
• <H1> Michael Goodman
• <H2> How to Make Your Own Cheap Inexpensive Artists' Book (1990)
• <H1> Bonnie Gordon
• <H2> The Anatomy of Proteus (1982)
• <H2> The Anatomy of the Image Maps (1982)
• <H1> Pattie Belle Hastings
• <H2> The Scarlet Genotype (2004)
• <H1> Kevin Henry
• <H2> The Consistency of Shadows: Exhibition Catalogs as Autonomous Works of Art (with AnneDorothee Böhme) (2004)
• <H1> Douglas Holleley
• <H2> Adaminaby (1998)
• <H1> Nancy Holt
• <H2> Ransacked (1980)
• <H1> The Journal of Artists' Books
• <H2> JAB1: The Journal of Artists' Books (1994)
• <H2> JAB2: The Journal of Artists' Books (1994)
• <H2> JAB3: The Journal of Artists' Books (1995)
• <H2> JAB4: The Journal of Artists' Books (1995)
• <H2> JAB5: The Journal of Artists' Books (1996)
• <H2> JAB6: The Journal of Artists' Books (1996)
• <H2> JAB7: The Journal of Artists' Books (1997)
• <H2> JAB8: The Journal of Artists' Books (1997)
• <H2> JAB9: The Journal of Artists' Books (1998)
• <H2> JAB10: The Journal of Artists' Books (1998)
• <H2> JAB11: The Journal of Artists' Books (1999)
• <H2> JAB12: The Journal of Artists' Books (1999)
• <H2> JAB13: The Journal of Artists' Books (2000)
• <H2> JAB14: The Journal of Artists' Books (2000)
• <H2> JAB15: The Journal of Artists' Books (2001)
• <H2> JAB16: The Journal of Artists' Books (2001)
• <H2> JAB17: The Journal of Artists' Books (2002)
• <H2> JAB18: The Journal of Artists' Books (2002)
• <H2> JAB19: The Journal of Artists' Books (2003)
• <H2> JAB20: The Journal of Artists' Books (2003)
• <H1> Alastair Johnston
• <H2> Cafe Charivari Charlatan Chrom (1975)
• <H1> Elissa Joy
• <H2> The Return of the Liposuctioned Corpse: Love Letters to Madmen (1993)
• <H1> Tamarra Kaida
• <H2> Tremors from the Faultline (1989)
• <H1> Babette Katz
• <H2> At the Beach (1988)
• <H2> Getting There (1992)
• <H2> My Flag (1995)
• <H2> Yarn (1992)
• <H1> Alison Knowles
• <H2> Journal of the Identical Lunch (1971)
• <H1> Ruth Laxson
• <H2> [Ho+Go]2=It (1987)
• <H2> A Hundred Years of: LEX FLEX (2001)
• <H2> Wheeling (1992)
• <H1> Irene Ledwith
• <H2> R.B. Schueller (1992)
• <H1> Warren Lehrer
• <H2> French Fries (1984)
• <H2> I Mean You Know (1983)
• <H1> Louise Levergneux
• <H2> Beside Me (2005)
• <H2> City Shields (2006)
• <H2> Windows of the Soul (2003)
• <H1> Ann Lovett
• <H2> Palimpsest (1990)
• <H2> Pilgrimage (2004)
• <H2> Remains (2003)
• <H1> Jenni Lukac
• <H2> Kaddish (1995)
• <H1> M.M. Lum
• <H2> Current Events (1984)
• <H1> Carole Frances Lung (as Frau Fiber)
• <H2> Surviving Weimar Look Book (2007)
• <H1> Joan Lyons
• <H2> Abecé: (Mexico City Book 2) (2004)
• <H2> Bride Book Red to Green (1975)
• <H2> The Gynecologist (1989)
• <H2> My Mother's Book (1993)
• <H2> Twenty-Five Years Ago (1998)
• <H2> Wonder Woman (1974) (with Juliet McGrath)
• <H1> Nathan Lyons
• <H2> Verbal Landscape/Dinosaur Sat Down (1987)
• <H1> Joni Mabe
• <H2> Joni Mabe's Museum Book (1988)
• <H1> William Cody Maher
• <H2> To Quiet a Foreign Pain (Jimmy a Real American) (with Susan Schwartzenberg) (1990)
• <H1> Juliet McGrath
• <H2> Wonder Woman (1974) (with Joan Lyons)
• <H1> Emily McVarish
• <H2> Sample Dialog (1989)
• <H2> Moving Platforms (1991)
• <H2> Was Here (2001)
• <H1> Clifton Kirkpatrick Meador
• <H2> A.A.A.R.P. (1994)
• <H2> Bad Printing (2006)
• <H2> Foxtrot Oscar Lima Lima Yankee (1991)
• <H2> Great Men of the Modern Age (1982)
• <H2> Greenness (1988)
• <H2> Long, Slow March (1996)
• <H2> A Long Walk (1993)
• <H2> The Nameless Dead (2004)
• <H2> Nutritional Disease Throw Rugs (1995)
• <H2> Positive Produce & Negative Books (1995)
• <H2> Rising, Converging (1988)
• <H2> Sea Change (1990)
• <H2> Selma to Montgomery (1995)
• <H2> Stampland (1988)
• <H1> Daniel Mellis
• <H2> Several Split Fountains and a Jack (2007)
• <H1> Gary Meres
• <H2> Dead Man's Trail (2002)
• <H1> Richard Minsky
• <H2> Minsky in Bed (1988)
• <H1> Beverly Nelson
• <H2> Alternets (2005)
• <H1> Carmelo Arden Quin
• <H2> ailleurs 8 (unknown)
• <H1> Gary Richman
• <H2> Index of the Alphabetic Rebus (1984)
• <H1> Fred Rinne
• <H2> All My Bands (2003)
• <H1> Willyum Rowe
• <H2> Nurse Duck Enters and Approaches and Leaves the Garden of Eden (1982)
• <H1> Gail Rubini
• <H2> Sweet Junk (1977)
• <H2> Forever Yours (1980)
• <H1> Joe Ruther
• <H2> Victorian Album (1980)
• <H1> Paul Rutkovsky
• <H2> Commodity Character (1982)
• <H2> Get More (1986)
• <H2> I am Siam (1984)
• <H1> Kyle Schlesinger
• <H2> A Book of Closings (2005)
• <H1> David Schulz
• <H2> Non-Identifying Social, Genetic Report (1999)
• <H2> Variations of a Fall (2002)
• <H1> Susan Schwartzenberg
• <H2> To Quiet a Foreign Pain (Jimmy a Real American) (with William Cody Maher) (1990)
• <H1> Tate Shaw
• <H2> String Lessons (2002)
• <H1> Clarissa Sligh
• <H2> It Wasn't Little Rock (2006)
• <H1> Jim Snitzer
• <H2> Seeing Egypt (1980)
• <H1> Leroy Stevens
• <H2> Four Corners (2007)
• <H1> Susannah Strang
• <H2> Peel (1999)
• <H1> Jeff Strayer
• <H2> Still Life with Fruit, Wine, Audiotape and Projections (1982)
• <H1> Elisabeth Tonnard
• <H2> Contemplation (2008)
• <H1> Erica Van Horn
• <H2> Black Dog White Bark (1987)
• <H2> Scraps of an Aborted Collaboration (1994)
• <H1> Roy Villevoye
• <H2> 'No Problem, Brother!' (1997)
• <H1> Jan Voss
• <H2> Wartelist (1984)
• <H1> Todd Walker
• <H2> 18 (1992)
• <H2> opuntia is just another name for prickly pear (1983)
• <H2> See (1978)
• <H2> Three Soliloquies, --- (1977)
• <H1> Joan Wolbier
• <H2> arachne/amaranth (1983)
• <H1> Paul Zelevansky
• <H2> The Shadow Architecture at the Crossroads (1988)
• <H1> Philip Zimmermann
• <H2> High Tension (1993)
• <H2> Nature Abhors (2003)
• <H1> Francine Zubeil
• <H2> Panique Generale (1993)
• <H4> by publication date
• <H1> 1971
• <H2> Journal of the Identical Lunch by Alison Knowles
• <H1> 1972
• <H2> The Paros Dream Book by Laurence Bach
• <H1> 1973
• <H2> Carbon Copy by A.D. Coleman
• <H1> 1974
• <H2> Wonder Woman by Juliet McGrath and Joan Lyons
• <H1> 1975
• <H2> As No Storm or The Any Port Party by Johanna Drucker
• <H2> Bride Book Red to Green by Joan Lyons
• <H2> Cafe Charivari Charlatan Chrom (1975) by Alastair Johnston
• <H1> 1976
• <H2> raising a family by Conrad Gleber
• <H2> Twenty-six '76 by Johanna Drucker
• <H1> 1977
• <H2> From A to Z by Johanna Drucker
• <H2> Fragile by Johanna Drucker
• <H2> The Surprise Party by Johanna Drucker
• <H2> Sweet Junk by Gail Rubini
• <H2> Three Soliloquies, --- by Todd Walker
• <H1> 1978
• <H2> Experience of the Medium by Johanna Drucker
• <H2> Netherland: [How] So Far by Johanna Drucker
• <H2> See by Todd Walker
• <H1> 1979
• <H2> Isometric Systems in Isotropic Space: Map Projections by Agnes Denes
• <H2> Kidz by Johanna Drucker
• <H1> 1980
• <H2> Dolls of the Spirit by Johanna Drucker
• <H2> Forever Yours by Gail Rubini
• <H2> Italy by Johanna Drucker
• <H2> Jane Goes Out w' the Scouts by Johanna Drucker
• <H2> Occult Psychogenic Misfeasance by Frances Butler
• <H2> Ransacked by Nancy Holt
• <H2> 'S crap 'S ample by Johanna Drucker
• <H2> Seeing Egypt by Jim Snitzer
• <H2> Victorian Album by Joe Ruther
• <H1> 1982
• <H2> The Anatomy of Proteus by Bonnie Gordon
• <H2> The Anatomy of the Image Maps by Bonnie Gordon
• <H2> Commodity Character by Paul Rutkovsky
• <H2> Garbaj by Chris Enos
• <H2> It Happens Pretty Fast by Johanna Drucker
• <H2> Great Men of the Modern Age by Clifton Meador
• <H2> Manhattan Street Romance by Douglas Beube
• <H2> Nurse Duck Approaches and Enters and Leaves the Garden of Eden by Willyum Rowe
• <H2> Still Life with Fruit, Wine, Audiotape and Projections by Jeff Strayer
• <H2> Tongues: a parent language by Johanna Drucker
• <H2> Water Safety by Ann Fessler
• <H2> Windows by Terry Braunstein
• <H1> 1983
• <H2> Against Fiction by Johanna Drucker
• <H2> arachne/amaranth by Joan Wolbier
• <H2> I Mean You Know by Warren Lehrer
• <H2> opuntia is just another name for prickly pear by Todd Walker
• <H1> 1984
• <H2> Current Events by M.M. Lum
• <H2> French Fries by Warren Lehrer
• <H2> I am Siam by Paul Rutkovsky
• <H2> Index of the Alphabetic Rebus by Gary Richman
• <H2> Seattle Subtext by Paul Berger
• <H2> Spectacle by Johanna Drucker
• <H2> Wartelist by Jan Voss
• <H1> 1985
• <H2> Television by Miles DeCoster
• <H1> 1986
• <H2> Get More by Paul Rutkovsky
• <H2> Home by Eric Drooker
• <H2> Life in a Book by François Deschamps
• <H2> Through Light and the Alphabet by Johanna Drucker
• <H1> 1987
• <H2> Black Dog White Bark by Erica Van Horn
• <H2> Dust and Light by George Gessert
• <H2> For Fans and Scholars Alike by Ulises Carrión
• <H2> [Ho+Go]2=It by Ruth Laxson
• <H2> Verbal Landscape/Dinosaur Sat Down by Nathan Lyons
• <H1> 1988
• <H2> At the Beach by Babette Katz
• <H2> Bookscape by Johanna Drucker
• <H2> Greenness by Clifton Meador
• <H2> The Return of the Slapstick Papyrus by François Deschamps
• <H2> Rising, Converging by Clifton Meador
• <H2> The Shadow Architecture at the Crossroads Annual 19__. by Paul Zelevanksy
• <H2> Stampland by Clifton Meador
• <H1> 1989
• <H2> The Gynecologist by Joan Lyons
• <H2> How to Humiliate your Peeping Tom by Susan Baker
• <H2> Monuments to the Industrial Revolution by Charles Agel
• <H2> Sample Dialog by Johanna Drucker
• <H2> Tremors from the Faultline by Tamarra Kaida
• <H2> The Word Made Flesh by Johanna Drucker
• <H1> 1990
• <H2> History of the/my Wor(l)d by Johanna Drucker
• <H2> Palimpsest by Ann Lovett
• <H2> Sea Change by Clifton Meador
• <H2> Simulant Portrait by Johanna Drucker
• <H2> To Quiet a Foreign Pain (Jimmy a Real American) by Susan Schwartzenberg and William Cody Maher
• <H1> 1991
• <H2> Foxtrot Oscar Lima Lima Yankee by Clifton Kirkpatrick Meador
• <H2> Moving Platforms by Emily McVarish
• <H1> 1992
• <H2> 18 (1992) by Todd Walker
• <H2> Action is Addiction by Critical Art Ensemble
• <H2> Getting There by Babette Katz
• <H2> Otherspace: Martian Ty/opography by Johanna Drucker
• <H2> R.B. Schueller by Irene Ledwith
• <H2> Secret Wing by Nancy Chalker-Tennant
• <H2> Wheeling by Ruth Laxson
• <H2> Yarn by Babette Katz
• <H1> 1993
• <H2> Deterring Discourse by Johanna Drucker
• <H2> The Exorcism of Page Thirteen by Caryl Burtner
• <H2> My Mother's Book by Joan Lyons
• <H2> High Tension by Philip Zimmermann
• <H2> A Long Walk by Clifton Meador
• <H2> Panique Generale by Francine Zubeil
• <H2> The Return of the Liposuctioned Corpse: Love Letters to Madmen by Elissa Joy
• <H2> This is Not America Either by Balázs Czeizel
• <H2> The Translated Latrine Inscriptions of the Palazzo Davanzati by Simon Cutts
• <H1> 1994
• <H2> A.A.A.R.P. by Clifton Meador
• <H2> JAB1: The Journal of Artists' Books by JAB (Brad Freeman, editor)
• <H2> JAB2: The Journal of Artists' Books by JAB (Brad Freeman, editor)
• <H2> Three Early Fictions by Johanna Drucker
• <H2> Narratology by Johanna Drucker
• <H1> 1995
• <H2> Dark Decade by Johanna Drucker
• <H2> JAB3: The Journal of Artists' Books by JAB (Brad Freeman, editor)
• <H2> JAB4: The Journal of Artists' Books by JAB (Brad Freeman, editor)
• <H2> Journey Without Title by Balázs Czeizel
• <H2> Kaddish by Jenni Lukac
• <H2> Mémoire D'un Voyage en Océanie by François Deschamps
• <H2> My Flag by Babette Katz
• <H2> Nutritional Disease Throw Rugs by Clifon Kirkpatrick Meador
• <H2> Photo Love by Suky Best
• <H2> Poética (Poetics) by Eduardo and Ana Cortils
• <H2> Positive Produce & Negative Books by Clifton Meador
• <H2> Scraps of an Aborted Collaboration by Erica Van Horn
• <H2> Selma to Montgomery by Clifton Meador
• <H2> Some (M)other Stories: a Parent(hetic)al Tale by Carol Flax
• <H1> 1996
• <H2> The Current Line by Johanna Drucker
• <H2> JAB5: The Journal of Artists' Books by JAB (Brad Freeman, editor)
• <H2> JAB6: The Journal of Artists' Books by JAB (Brad Freeman, editor)
• <H2> Long Slow March by Clifton Meador
• <H1> 1997
• <H2> JAB7: The Journal of Artists' Books by JAB (Brad Freeman, editor)
• <H2> JAB8: The Journal of Artists' Books by JAB (Brad Freeman, editor)
• <H2> Little Orphan Anagram by Susan Bee and Charles Bernstein
• <H2> Mill River - River Mill by Bob Chaplin
• <H2> 'No Problem, Brother!' by Roy Villevoye
• <H2> Prove before Laying by Johanna Drucker
• <H2> When We Were Ten by Judy Gelles
• <H1> 1998
• <H2> Adaminaby by Douglas Holleley
• <H2> JAB9: The Journal of Artists' Books by JAB (Brad Freeman, editor)
• <H2> JAB10: The Journal of Artists' Books by JAB (Brad Freeman, editor)
• <H2> Twenty-Five Years Ago by Joan Lyons
• <H1> 1999
• <H2> JAB11: The Journal of Artists' Books by JAB (Brad Freeman, editor)
• <H2> JAB12: The Journal of Artists' Books by JAB (Brad Freeman, editor)
• <H2> Non-Identifying Social, Genetic Report by David Schulz
• <H2> Peel by Susannah Strang
• <H2> Sombras Rojas by François Deschamps
• <H2> Wild Wood by Helen Douglas
• <H1> 2000
• <H2> JAB13: The Journal of Artists' Books by JAB (Brad Freeman, editor)
• <H2> JAB14: The Journal of Artists' Books by JAB (Brad Freeman, editor)
• <H2> Night Crawlers on the Web by Johanna Drucker
• <H2> Nova Repertaby Johanna Drucker
• <H1> 2001
• <H2> Emerging Sentience by Johanna Drucker and Brad Freeman
• <H2> The Grass is Greener by Brad Freeman
• <H2> JAB16: The Journal of Artists' Books by JAB (Brad Freeman, editor)
• <H2> JAB15: The Journal of Artists' Books by JAB (Brad Freeman, editor)
• <H2> Was Here by Emily McVarish
• <H1> 2002
• <H2> Dead Man's Trail by Gary Meres
• <H2> Florida Family Portrait by Judy Gelles
• <H2> A Girl's Life by Susan Bee and Johanna Drucker
• <H2> JAB17: The Journal of Artists' Books by JAB (Brad Freeman, editor)
• <H2> JAB18: The Journal of Artists' Books by JAB (Brad Freeman, editor)
• <H2> Just Wait and See by Dianna Frid
• <H2> The Marsh Test by Sarah Bodman
• <H2> String Lessons by Tate Shaw
• <H2> Variations of a Fall by David Schulz
• <H1> 2003
• <H2> All My Bands by Fred Rinne
• <H2> Damaged Spring: Pink Noire by Johanna Drucker
• <H2> Gdansk: Talk Back by Dahlia Elsayed
• <H2> A Hundred Years of: LEX FLEX by Ruth Laxson
• <H2> JAB19: The Journal of Artists' Books by JAB (Brad Freeman, editor)
• <H2> JAB20: The Journal of Artists' Books by JAB (Brad Freeman, editor)
• <H2> Reading Keats to Sleep by Gregg Biglieri
• <H2> Windows of the Soul by Louise Levergneux
• <H1> 2004
• <H2> The Consistency of Shadows: Exhibition Catalogs as Autonomous Works of Art by AnneDorothee Böhme and Kevin Henry
• <H2> The Nameless Dead by Clifton Meador
• <H2> Pilgrimage by Ann Lovett
• <H2> Remains by Ann Lovett
• <H2> The Scarlet Genotype by Pattie Belle Hastings
• <H2> Sunnydell Farm by Karen Bucher
• <H2> Tales of Woodsman Pete by Lilli Carré
• <H1> 2005
• <H2> Alternets by Beverly Nelson
• <H2> A Book of Closings by Kyle Schlesinger
• <H2> Beside Me by Louise Levergneux
• <H2> Cuba by Brad Freeman and Johanna Drucker
• <H2> Damaged Nature / Salvage Culture by Johanna Drucker
• <H2> Events: Particle Zoo by Johanna Drucker
• <H2> From Now by Johanna Drucker
• <H2> Graphical Investigations by Johanna Drucker
• <H2> Subjective Meteorology by Johanna Drucker
• <H2> Swell by Lilli Carré
• <H1> 2006
• <H2> Bad Printing by Clifton Meador
• <H2> City Shields by Louise Levergneux
• <H2> It Wasn't Little Rock by Clarissa Sligh
• <H2> Testament of Women by Johanna Drucker
• <H1> 2007
• <H2> Four Corners by Leroy Stevens
• <H2> Several Split Fountains and a Jack by Daniel Mellis
• <H2> Surviving Weimar Look Book by Frau Fiber (Carole Frances Lung)
• <H1> 2008
• <H2> Contemplation by Elisabeth Tonnard
• <H4> by collection
• <H1> The Collection of Jane and Boris Drucker
• <H2> From Now (2005) by Johanna Drucker
• <H1> The Collection of Johanna Drucker
• <H2> 18 (1992) by Todd Walker
• <H2> A.A.A.R.P. (1994) by Clifton Meador
• <H2> Action is Addiction (1992) by Critical Art Ensemble
• <H2> Against Fiction: Organized Affinities (1983) by Johanna Drucker
• <H2> All My Bands (2003) by Fred Rinne
• <H2> arachne/amaranth (1983) by Joan Wolbier
• <H2> As No Storm or the Any Port Party (1975) by Johanna Drucker
• <H2> Bad Printing (2006) by Clifton Kirkpatrick Meador
• <H2> Black Dog White Bark (1987)by Erica Van Horn
• <H2> Bookscape (1988) by Johanna Drucker
• <H2> Cafe Charivari Charlatan Chrom (1975) by Alastair Johnston
• <H2> The Current Line (1996) by Johanna Drucker
• <H2> Damaged Nature / Salvage Culture (2005) by Johanna Drucker
• <H2> Damaged Spring: Pink Noire (2003) by Johanna Drucker
• <H2> Dark Decade (1995) by Johanna Drucker
• <H2> Dark, The Bat Elf Banquets the Pupae (1972) by Johanna Drucker
• <H2> Dead Man's Trail (2002) by Gary Meres
• <H2> Deterring Discourse (1993) by Johanna Drucker
• <H2> Dolls of the Spirit (1980) by Johanna Drucker
• <H2> Dust and Light (1987) by George Gessert
• <H2> Emerging Sentience (2001) by Johanna Drucker and Brad Freeman
• <H2> Events: Particle Zoo (2005) by Johanna Drucker
• <H2> The Exorcism of Page Thirteen (1993) by Caryl Burtner
• <H2> Experience of the Medium (1978) by Johanna Drucker
• <H2> For Fans and Scholars Alike (1987) by Ulises Carrión
• <H2> Forever Yours (1980) by Gail Rubini
• <H2> Foxtrot Oscar Lima Lima Yankee (1991) by Clifton Kirkpatrick Meador
• <H2> Fragile (1977) by Johanna Drucker
• <H2> From A to Z (1977) by Johanna Drucker
• <H2> Graphical Investigations (2005) by Johanna Drucker
• <H2> The Grass is Greener (2001) by Brad Freeman
• <H2> Great Men of the Modern Age (1982) by Clifton Kirkpatrick Meador
• <H2> The Gynecologist (1989) by Joan Lyons
• <H2> High Tension (1993) by Philip Zimmerman
• <H2> History of the/my Wor(l)d (1990) by Johanna Drucker
• <H2> [Ho+Go]2=It (1987) by Ruth Laxson
• <H2> Home (1986) by Eric Drooker
• <H2> A Hundred Years of: LEX FLEX (2003) by Ruth Laxson
• <H2> I Mean You Know (1983) by Warren Lehrer
• <H2> Index of the Alphabetic Rebus (1984) by Gary Richman
• <H2> It Happens Pretty Fast (1982) by Johanna Drucker
• <H2> Italy (1980) by Johanna Drucker
• <H2> Jane Goes Out w' the Scouts (1980) by Johanna Drucker
• <H2> Joni Mabe's Museum Book (1988) by Joni Mabe
• <H2> Journal of the Identical Lunch (1971) by Alison Knowles
• <H2> Just As (1983) by Johanna Drucker
• <H2> Kidz (1979) by Johanna Drucker
• <H2> Life in a Book (1986) by François Deschamps
• <H2> Little Orphan Anagram (1997) by Susan Bee and Charles Bernstein
• <H2> Long, Slow March (1996) by Clifton Kirkpatrick Meador
• <H2> A Long Walk (1993) by Clifton Kirkpatrick Meador
• <H2> Moving Platforms (1991) by Emily McVarish
• <H2> My Mother's Book (1993) by Joan Lyons
• <H2> Narratology (1994) by Johanna Drucker
• <H2> Netherland: [How] So Far (1978) by Johanna Drucker
• <H2> Nightcrawlers on the Web (2000) by Johanna Drucker
• <H2> 'No Problem, Brother!' (1997) by Roy Villevoye
• <H2> Nova Reperta (2000) by Johanna Drucker and Brad Freeman
• <H2> NovaText (1990) by Critical Art Ensemble
• <H2> Nurse Duck Enters and Approaches and Leaves the Garden of Eden (1982) by Willyum Rowe
• <H2> Nutritional Disease Throw Rugs (1995) by Clifon Kirkpatrick Meador
• <H2> Occult Psychogenic Misfeasance (1980) by Frances Butler
• <H2> opuntia is just another name for prickly pear (1983) by Todd Walker
• <H2> OTHERSPACE: Martian Ty(o)pography (1992) by Johanna Drucker and Brad Freeman
• <H2> Panique Generale (1993) by Francine Zubeil
• <H2> Photo Love (1995) by Suky Best
• <H2> Positive Produce & Negative Books (1995) by Clifton Kirkpatrick Meador
• <H2> Prove Before Laying (1997) by Johanna Drucker
• <H2> Quantum (2001) by Johanna Drucker
• <H2> raising a family (1976) by Conrad Gleber
• <H2> Ransacked (1980) by Nancy Holt
• <H2> The Return of the Liposuctioned Corpse: Love Letters to Madmen (1993) by Elissa Joy
• <H2> Sample Dialog (1989) by Johanna Drucker and Emily McVarish
• <H2> 'S crap 'S ample (1980) by Johanna Drucker
• <H2> Scraps of an Aborted Collaboration (1994) by Erica Van Horn
• <H2> Sea Change (1990) by Clifton Kirkpatrick Meador
• <H2> See (1978) by Todd Walker
• <H2> Seeing Egypt (1980) by Jim Snitzer
• <H2> Selma to Montgomery (1995) by Clifton Kirkpatrick Meador
• <H2> Several Split Fountains and a Jack (2007) by Daniel Mellis
• <H2> The Shadow Architecture at the Crossroads (1988) by Paul Zelevansky
• <H2> Simulant Portrait (1990) by Johanna Drucker
• <H2> Spectacle (1984) by Johanna Drucker
• <H2> Stampland (1988) by Clifton Kirkpatrick Meador
• <H2> Subjective Meteorology (2005) by Johanna Drucker
• <H2> Sweet Junk (1977) by Gail Rubini
• <H2> Still Life with Fruit, Wine, Audiotape and Projections (1982) by Jeff Strayer
• <H2> The Surprise Party Or (1977) by Johanna Drucker
• <H2> Television (1985) by Miles DeCoster
• <H2> Testament of Women (2006) by Johanna Drucker
• <H2> Three Early Fictions (1994) by Johanna Drucker
• <H2> Three Soliloquies, --- (1977) by Todd Walker
• <H2> Through Light and the Alphabet (1986) by Johanna Drucker
• <H2> Tongues: a parent language (1982) by Johanna Drucker
• <H2> The Translated Latrine Inscriptions of the Palazzo Davanzati (1993) by Simon Cutts
• <H2> Twenty-Five Years Ago (1998) by Joan Lyons
• <H2> Twenty-six '76 (1976) by Johanna Drucker
• <H2> Victorian Album (1980) by Joe Ruther
• <H2> Wartelist (1984) by Jan Voss
• <H2> Was Here (2001) by Emily McVarish
• <H2> Wheeling (1992) by Ruth Laxson
• <H2> Wild Wood (1999) by Helen Douglas
• <H2> The Word Made Flesh (1989) by Johanna Drucker
• <H1> The Collection of Johanna Drucker and Brad Freeman
• <H2> Greenness (1988) by Clifton Kirkpatrick Meador
• <H2> How to Make Your Own Cheap Inexpensive Artists' Book (1990) by Michael Goodman
• <H2> Rising, Converging (1988) by Clifton Meador
• <H1> The Collection of Craig Dworkin
• <H2> A Book of Closings (2005) by Kyle Schlesinger
• <H1> The Collection of Pattie Belle Hastings
• <H2> The Scarlet Genotype (2004) by Pattie Belle Hastings
• <H1> The Collection of Louise Levergneux
• <H2> Beside Me (2005) by Louise Levergneux
• <H2> City Shields (2006) by Louise Levergneux
• <H2> Windows of the Soul (2003) by Louise Levergneux
• <H1> The Collection of Joan Lyons
• <H2> Abecé: (Mexico City Book 2) (2004) by Joan Lyons
• <H1> The Collection of Clifton Meador
• <H2> The Nameless Dead (2004) by Clifton Kirkpatrick Meador
• <H1> The Collection of Philip Zimmermann
• <H2> Nature Abhors (2003) by Philip Zimmermann
• <H1> Cuneiform Press
• <H2> Reading Keats to Sleep (2003) by Gregg Biglieri
• <H1> Joan Flasch Artists' Book Collection, School of the Art Institute of Chicago
• <H2> Alternets (2005) by Beverly Nelson
• <H2> The Consistency of Shadows: Exhibition Catalogs as Autonomous Works of Art (2004) by AnneDorothee Böhme and Kevin Henry
• <H2> Four Corners (2007) by Leroy Stevens
• <H2> Just Wait and See (2002) by Dianna Frid
• <H2> Mémoire D'un Voyage en Océanie (1995) by François Deschamps
• <H2> Peel (1999) by Susannah Strang
• <H2> Surviving Weimar Look Book (2007) by Frau Fiber (Carole Frances Lung)
• <H2> Swell (2005) by Lilli Carré
• <H2> Tales of Woodsman Pete (2004) by Lilli Carré
• <H1> The Journal of Artists' Books
• <H2> JAB1: The Journal of Artists' Books (1994) by JAB (Brad Freeman, editor)
• <H2> JAB2: The Journal of Artists' Books (1994) by JAB (Brad Freeman, editor)
• <H2> JAB3: The Journal of Artists' Books (1995) by JAB (Brad Freeman, editor)
• <H2> JAB4: The Journal of Artists' Books (1995) by JAB (Brad Freeman, editor)
• <H2> JAB5: The Journal of Artists' Books (1996) by JAB (Brad Freeman, editor)
• <H2> JAB6: The Journal of Artists' Books (1996) by JAB (Brad Freeman, editor)
• <H2> JAB7: The Journal of Artists' Books (1997) by JAB (Brad Freeman, editor)
• <H2> JAB8: The Journal of Artists' Books (1997) by JAB (Brad Freeman, editor)
• <H2> JAB9: The Journal of Artists' Books (1998) by JAB (Brad Freeman, editor)
• <H2> JAB10: The Journal of Artists' Books (1998) by JAB (Brad Freeman, editor)
• <H2> JAB11: The Journal of Artists' Books (1999) by JAB (Brad Freeman, editor)
• <H2> JAB12: The Journal of Artists' Books (1999) by JAB (Brad Freeman, editor)
• <H2> JAB13: The Journal of Artists' Books (2000) by JAB (Brad Freeman, editor)
• <H2> JAB14: The Journal of Artists' Books (2000) by JAB (Brad Freeman, editor)
• <H2> JAB15: The Journal of Artists' Books (2001) by JAB (Brad Freeman, editor)
• <H2> JAB16: The Journal of Artists' Books (2001) by JAB (Brad Freeman, editor)
• <H2> JAB17: The Journal of Artists' Books (2002) by JAB (Brad Freeman, editor)
• <H2> JAB18: The Journal of Artists' Books (2002) by JAB (Brad Freeman, editor)
• <H2> JAB19: The Journal of Artists' Books (2003) by JAB (Brad Freeman, editor)
• <H2> JAB20: The Journal of Artists' Books (2003) by JAB (Brad Freeman, editor)
• <H1> National Art Library Special Collections
• <H2> Minsky in Bed (1988) by Richard Minsky
• <H1> Small Special Collections Library, University of Virginia
• <H2> Cuba (2005) by Brad Freeman and Johanna Drucker
• <H2> A Girl's Life (2002) by Johanna Drucker and Susan Bee
• <H1> Visual Studies Workshop
• <H2> Adaminaby (1998) by Douglas Holleley
• <H2> The Anatomy of Proteus (1982) by Bonnie Gordon
• <H2> The Anatomy of the Image Maps (1982) by Bonnie Gordon
• <H2> At the Beach (1988) by Babette Katz
• <H2> Bride Book Red to Green (1975) by Joan Lyons
• <H2> Carbon Copy (1973) by A.D. Coleman
• <H2> Commodity Character (1982) by Paul Rutkovsky
• <H2> Contemplation (2008) by Elisabeth Tonnard
• <H2> Current Events (1984) by M.M. Lum
• <H2> Florida Family Portrait (2002) by Judy Gelles
• <H2> French Fries (1984) by Warren Lehrer
• <H2> Garbaj (1982) by Chris Enos
• <H2> Gdansk: Talk Back (2003) by Dahlia Elsayed
• <H2> Get More (1986) by Paul Rutkovsky
• <H2> Getting There (1992) by Babette Katz
• <H2> How to Humiliate your Peeping Tom (1989) by Susan Baker
• <H2> I am Siam (1984) by Paul Rutkovsky
• <H2> Isometric Systems in Isotropic Space: Map Projections (1979) by Agnes Denes
• <H2> It Wasn't Little Rock (2006) by Clarissa Sligh
• <H2> Journey Without Title (1995) by Balázs Czeizel
• <H2> Kaddish (1995) by Jenni Lukac
• <H2> Manhattan Street Romance (1982) by Douglas Beube
• <H2> The Marsh Test (2002) by Sarah Bodman
• <H2> Mill River - River Mill (1997) by Bob Chaplin
• <H2> Monuments to the Industrial Revolution (1989) by Charles Agel
• <H2> My Flag (1995) by Babette Katz
• <H2> Non-Identifying Social, Genetic Report (1999) by David Schulz
• <H2> Palimpsest (1990) by Ann Lovett
• <H2> The Paros Dream Book (1972) by Laurence Bach
• <H2> Pilgrimage (2004) by Ann Lovett
• <H2> Poética (Poetics) (1995) by Eduardo and Ana Cortils
• <H2> R.B. Schueller (1992) by Irene Ledwith
• <H2> Remains (2003) by Ann Lovett
• <H2> The Return of the Slapstick Papyrus (1988) by François Deschamps
• <H2> Seattle Subtext (1984) by Paul Berger
• <H2> Secret Wing (1991) by Nancy Chalker-Tennant
• <H2> Sombras Rojas (1999) by François Deschamps
• <H2> Some (M)other Stories: a Parent(hetic)al Tale (1995) by Carol Flax
• <H2> String Lessons (2002) by Tate Shaw
• <H2> Sunnydell Farm (2004) by Tate Shaw
• <H2> This is Not America Either (1993) by Balázs Czeizel
• <H2> To Quiet a Foreign Pain (Jimmy a Real American) (1990) by Susan Schwartzenberg and William Cody Maher
• <H2> Tremors from the Faultline (1989) by Tamarra Kaida
• <H2> Verbal Landscape/Dinosaur Sat Down (1987) by Nathan Lyons
• <H2> Water Safety (1982) by Ann Fessler
• <H2> When We Were Ten (1997) by Judy Gelles
• <H2> Windows (1982) by Terry Braunstein
• <H2> Wonder Woman (1974) by Juliet McGrath and Joan Lyons
• <H2> Yarn (1992) by Babette Katz
• <H1> No Collection Specified
• <H2> ailleurs 8 (unknown) by Carmelo Arden Quin

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• artists107
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